As time goes on, and games advance both technologically and as an art form, our idea of what makes the best indie games evolves. One of the best parts of going all in on indie games is that – unlike major first party game publishers like Microsoft, who have to subsidize their releases with a monthly subscription model – indie games don’t cost very much to begin with, especially if you’ve got a gaming PC.
At the same time, however, the best indie games on the market are every bit as stimulating as the latest Call of Duty or Assassin’s Creed, if not more because they’re less repetitive and often aren’t complemented by tired tropes and cliches. And those that are – well, we’ll just play it safe and exclude them from our list.
Here at TechRadar, our rankings of the 30 best indie games you can play right now aren’t based on quantity, but rather quality. We’ve mixed in not only classics and obvious choices, such as PC games like Braid and The Stanley Parable, but modern day examples of the best indie games as well, such as Cuphead and Night in the Woods. To find out about the rest, you’ll have to read on!
Joe Osborne, Kane Fulton and Gabe Carey have also contributed to this article
Described as a cross between Pokémon, Harvest Moon and Animal Crossing, we couldn’t help ourselves but to recommend that you keep Ooblets in the back of your mind over the next several months. This indie game was developed by first-time studio Glumberland, whose art style curiously reminds us of Adventure Time. However, the game itself revolves around collecting creatures called ooblets in a town called Oob.
Upon doing so, you’ll be able to train and battle your ooblets against other ooblet trainers. At the same time, you’ll have to balance your ooblet training with the real-world responsibilities of being a farmer. That’s right, drawing influence from the likes of Stardew Valley, you can cultivate produce and decorate your house with various trimmings as well. You’ll also be able to join an Ooblet Club comprised of friends (NPCs) you’ll meet along the way.
If you don’t know what to do in Ooblets, simply walk around and discover new shops and buildings that suit your interest. While you’re at it, you can open up your own shop and sell produce that you’ve grown on the farm in addition to items you’ve scavenged from throughout the world. Otherwise, you can feed the leftover crops to your ooblets to watch them level up and learn new techniques to be used in the turn-based RPG-style battles.
Jonathan Blow’s masterpiece first appears to be a simple pastiche of Super Mario Bros, with a middle-aged curmudgeon replacing the titular plumber but still seeking to rescue a princess.
But as you spend time with it, it reveals more of itself, moving from a series of time-bending puzzles to quiet reflective texts – which doesn’t stop it being the smartest puzzle game until SpaceChem. Blow himself has hinted that the ultimate story might be something to do with the atomic bomb.
First released as PC freeware by Japanese designer Daisuke “Pixel” Amaya back in 2004 after five years of 100% solo development, Cave Story predates the recent indie renaissance by a few years. Because of when and how it was first released, it’s often forgotten in discussions of indie gaming.
But this classic deserves to be on every best-of list for its loving homage to the classic action platforming games of the Super Nintendo era, its incredible music and its incredibly vibrant world. Oh, and don’t forget the hugely intuitive controls, gobs of secrets and weapons that are entirely too fun to use. If you’ve yet to enjoy this one, just put it on your backlog already.
From family-owned and operated Studio MDHR, Cuphead has connected with millions of people around the world, many of whom normally wouldn’t touch a run-and-gun platformer with a ten-foot pole.
Although its gameplay was inspired by classics like Mega Man and Contra, more gamers would probably be inclined to compare it to a Fleischer Studios cartoon, such as Betty Boop. Because Cuphead utilizes a hand-drawn art style likened to 1930s animation, it’s been universally praised for its gorgeous visuals.
Beyond its appearances alone, however, Cuphead is a challenging and engaging series of 19 boss fights, with actual levels taking place sparingly in between them.
Most mainstream games are escapist power fantasies, where the player grows their capabilities until they dominate the game’s universe – and then the game ends. Yet many indie games are dis-empowerment fantasies – like the IGF award winner and misery sim Cart Life.
Papers Please is similar to Cart Life – it’s also an IGF winner with elements of misery about it – but it’s better, being a smart, weird sim about the compromised life of a border guard under a totalitarian regime. It’s ugly and desperate, but also innovative, uproariously funny and terribly smart.
Among the hardcore gamers of my acquaintance, Spelunky is the go-to drug. Even today, several years after its release, some of them still play it every day, despite having completed it many times over. That’s because Spelunky, an ostensibly rogue-like platformer with a definite end, is tough, varied and highly randomized.
It also has more dark secrets than a presidential candidate, meaning there are many, many ways to finish it, and its daily challenges are a sure-fire way to public humiliation.
Humor is often something absent from games, mostly being restricted to slapstick comedy or crude one-liners. The Stanley Parable, by contrast, is hilarious without dumbing down. Players follow (or don’t) a very English narrative voice who changes the world around you, depending on your decision.
No decision is punished, every play-through throws up new humor and weirdness. Being trapped in the closet in the Stanley Parable is more moving and funny than 9/10 other games.
- Further reading: Retro-me-do! Digitiser’s Mr Biffo on his top PC games of all time
Owlboy took more than nine years to develop, but it was definitely worth the wait. Originally contrived for PCs and released in late 2016, the clever masterpiece of an indie game is now available to experience on Mac and Linux as well – and there’s even a Nintendo Switch version coming on February 13. Owlboy centers around a race of owl-human hybrid characters called Owls. Of them, you helm control of Otis, an Owl who is censured by his mentor for his inept flying abilities.
The story sees Otis’ village dismantled by pirates who clearly have conflict with the Owls. As a result, Otis has to work with an assortment of villagers in-game to take out enemies. Of course, when boss battles arise, you’ll need to manage allies accordingly, as each character comes with their own set of unique skill sets to use in conjunction with one another. If you’ve ever played and enjoyed a Kid Icarus game, this is one for the books. Otherwise, play it anyway.
Like The Stanley Parable, Gone Home falls into the unofficially deemed “walking simulator” genre. Unlike the simultaneously clever and philosophical Stanley Parable, however, Gone Home is less fixated on the lighter issues and more concerned with some of life’s more difficult realities.
After getting home from a stay overseas, you play as 21-year-old Kaitlin Greenbriar who is greeted by a vacant residency. While gameplay in Gone Home is mainly limited to scavenging through notes to find out where the protagonist’s family has ventured off to, the gripping story exhibits a rollercoaster of emotions, if you keep an open mind.
Only SpaceChem has mingled education with entertainment as successfully as The Kerbal Space Program. The game is simple – design and build spacecraft to take the cutesy Kerbals to the Mun and beyond.
Yet its focused use of real physics means that you’ll find yourself following NASA in building multi-stage rockets, space stations and exploring the Kerbal’s strange universe on EVAs, before bringing your discoveries back to research on the Kerbal planet – that’s if you can get off the ground at all. It’s a huge, complex, challenging and fun game, that’s smart without being preachy.
The exact opposite of the Kerbal Space Program, The Binding of Isaac is an action roguelike par excellence. Matched only by the equally visceral Nuclear Throne for replayability, you play as a young boy attempting to kill his damned siblings, his Mom, and possibly the Devil, using only his tears. Which he shoots from his eyes, of course.
With hundreds of weird modifiers to discover, endlessly touch procedurally-generated levels, and secrets galore, Isaac is a very dark take on the exploratory model established by Spelunky.
Though you may be turned off by the pixel art graphics, Undertale isn’t a game that could easily have run on the Nintendo Super NES. That’s because, in Undertale, your personal decisions play a huge role in how the game ends, and moreover, how it continues in New Game Plus.
One of the first things you’ll notice about Undertale is how much freedom the game gives you. Despite its cleverly integrated boss matches, you can play through the entire 9 or so hours of Undertale without executing a single kill. Plus, when you complete the game, you’ll be pleased to discover that you can play through Undertale again, this time bearing the weight of your consequences from the previous run.
From developer Playdead, Inside is comparable to its predecessor, Limbo, in some ways but with an added layer of depth that inspires frequent wonder. This is mostly a result of the unspoken narrative, which revolves around yet another nameless boy. In Inside, however, the boy in the story is running away from a group of men who – if you fail to stay out of their sights – will try to mercilessly kill you.
Though it isn’t quite clear why the boy is running from these men or why you should even care since you don’t know who he is, Inside will leave you begging for answers. The bleak, lifeless setting of Inside is more than worth the price of admission. Its minimalist art style alone is avant-garde enough to feel right at home in a museum. Add in a game that’s both fun to play and dripping with curiosity, though, and Inside is one of the best indie games money can buy.
Developed single-handedly by Eric Barone, Stardew Valley is undoubtedly a technical feat for that little facet alone. If you’ve ever played a Harvest Moon game, you’re already familiar with the premise of Stardew Valley – you may just not know it yet. Stardew Valley is an addictive farming simulator which sees you interact with townees to the point where you can literally marry them.
Stardew Valley isn’t just one thing; it’s a whole bunch of things at once. You can engage in crafting, fishing, cooking and even exploring procedurally-generated caves to mine for items and even take on monstrous enemies. However, do keep in mind your health and energy as you’ll need to make sure your character is in tip-top shape in order to avoid suffering from exhaustion. Lose health and you lose a considerable amount of money and items you’ve worked hard to attained. Stardew Valley will have you hooked for hours on end, for better or worse. (Better, definitely better.)
From Canadian game developer Alec Holowka, the creator of the award-winning Aquaria (also featured on this list) and independent artist/animator Scott Benson, Night in the Woods is an unconventional side-scrolling adventure game centering around a 20-year-old protagonist named Mae who drops out of college to move back in with her parents.
Featuring a story largely based around dialog choices and mini games that put a spin on mundane tasks, like carrying boxes up the stairs and eating perogies, Night in the Woods is a timeless coming-of-age tale. Not only will you experience middle class America through the eyes of a personified cat, but virtually every interaction in-game will have you laughing aloud. And now that it’s coming to the Nintendo Switch on February 1, you’ll be able to take it wherever you go.
Finally, the man responsible for the incredible orchestral arrangement in the hit PlayStation game Journey is back with Abzu, the first game ever from indie developer Giant Squid Studios. Founded by former thatgamecompany art director Matt Nava, Giant Squid had little to lose with its video game debut on both PC and PS4.
Abzu is described as a “stylized swimming simulator” that accurately depicts the relationship between ocean life and its interactions with humans. Like Journey, the game is told linearly with a silent protagonist. Abzu manages to hold its own, though, drawing influence from popular role-playing games with the ability to upgrade equipment.
Though newcomers may be offput by its clearly retro-inspired, twin-stick shoot ‘em up design, Nex Machina is a gem for fans of the classics. Featuring a play-style that’s heavily influenced by arcade cabinets Robotron (1982) and Smash TV (1990), Nex Machina will feel familiar to anyone versed in the products of games industry veteran Eugene Jarvis.
That’s because Jarvis served as a creative consultant on this project, whose creation was helmed primarily by Super Stardust and Resogun developer Housemarque. Similar to Jarvis’ previous works, Nex Machina is played from a top-down perspective, with players taking out waves of enemies in order to protect human allies.
Introversions was one of the earliest ‘indie’ companies, releasing games like Uplink, Defcon and Darwinia whilst Vlambeer were still in short pants. After years of struggling, they’ve finally hit a huge success with Prison Architect, a game where you build, staff, outfit and manage a maximum security prison.
With smart prisoners who are willing to do anything to escape, you’ll struggle to keep them all inside – or keep them from rioting – and turn a profit. It’s still in alpha, but it’s eminently playable right now..
While The Kerbal Space Program might actually take you (or at least those poor doomed Kerbals) to the moon, To The Moon is a game about wish fulfillment, and thrives on narrative. In terms of movies, Kerbal is Gravity and Isaac is Saw, To The Moon is Eternal Sunshine of the Spotless Mind.
You control two doctors who are exploring a dying man’s memories to implant a false memory so he can die in peace. Which is all depicted in a classic 16-bit Zelda style. It’s a rare, brave, adult game.
Dwarf Fortress is its own genre, its own industry. This is a game that, before you’ve even set foot in it, has to generate the entire geography, mythology and history of its massive world. Then it tracks every single one of the dwarfs you’re managing down to the hairs on their legs and the particular horrible elephant murder that they witnessed and they’re now carving on an ornamental chair.
Your task is to keep the dwarves alive as they carve out their subterranean kingdom – given that insanity, monsters, and starvation plague are thrown at them at every stage that’s not easy. And dwarves, always, always mine too deep.
Run. Jump. Die. Repeat. That’s the basic premise of Super Meat Boy, a fiendishly addictive 2D platformer that’s also bloody hard, with an emphasis on bloody. Pints of the red stuff is spilled as the game’s eponymous meaty hero leap over deadly drops, spinning blades and walking chainsaws in a bid to rescue his girlfriend, Bandage Girl, from the evil Dr Foetus. Obviously. Boasting tight controls, plenty of humor and color graphics, Super Meat Boy leapt onto the PS4 and Vita this year in style.
Limbo is a platformer with a difference. Five years after its initial release, the game’s haunting storyline still affects us. You play The Boy, a child with glowing eyes who’s cast into Limbo to find his sister. Making your way through a bleak and dangerous world full of hostile silhouettes, giant spiders and deadly gravitational fields, you’ll need to think on your feet and time your movements to perfection to survive.
But Limbo is much more than a simple platformer: it’s an experience, and one that has you pondering the very essence of life by the time it’s over. Deep, profound and absorbing, it’s one indie game everybody should take time out to play.
If you’re yearning for a retro-styled multiplayer archery combat game (aren’t we all?), TowerFall: Ascension is the pick of the lot. Fast, frenetic and teeth-gnashingly hard in hardcore mode, the game’s mechanics are simple: fire arrows at enemies or jump on their heads to stay alive until the round ends.
Arrows that don’t hit are embedded in walls, making for tense scenarios when you have to traverse the map while dodging enemies to retrieve them. As such, practicing until you achieve Robin Hood-esque levels of accuracy is recommended. Ascension is best experienced with friends in local multiplayer mode, which recalls Super Smash Bros’ most manic moments.
Serving as a spiritual successor to a pair of staples in PC gaming history, namely Myst and Riven, Obduction carries on the legacy of traditional point-and-click adventure games focused on advanced puzzle-solving techniques. Unlike most modern adventure games, Obduction is the kind of game you’ll have to take notes to complete, being hyperaware of everything in your surroundings to extract subtle hints from its environments.
Obduction has a gripping story that you’ll have to exert a lot of brainpower to get through. It’s not a game that’ll hold your hand if you get stuck. Au contraire! Obduction isn’t bottlenecked by the typical UI practices of conventional video games. No, you just have to go for it with no instruction at all, leaving it up to you to figure out how to get to the next point. Until you do, Obduction will mock you with its beautifully rendered HDR environments and Nvidia Ansel support.
Admittedly, exclusive indie games always wind up with the short end of the stick. That continues to ring true for Golf Story, an homage to Mario Golf on the Game Boy Color developed by Sidebar Games. As it’s a debut title for the Nintendo Switch, you might have overlooked Golf Story considering it came out on the same day as Stardew Valley, but here’s what you need to know.
You don’t have to obsess over the PGA Tour to get into Golf Story, as you’re likely better off appreciating it for its RPG elements. Substituting combat for an athletic sport, you begin your adventure as a kid who is mentored by his dad before realizing he isn’t very good at golfing, something you’ll have to overcome as you pursue professional golf.
After the raging success that was the original Nidhogg, it’s a shame to see the superior sequel get thrown under the bus. Nevertheless, in spite of its controversial art style, Nidhogg 2 packs a refined, gorgeous look that the first version, a cult-classic, couldn’t even think to compete with. In still frames, we can see how this could get misconstrued, but fortunately, it’s the fun and addictive local multiplayer gameplay that makes Nidhogg, well, Nidhogg. And it’s all there in Nidhogg 2. Plus, every time you respawn, you get one of four unique weapons that only bolster the challenge.
Esteemed indie designer Jon Blow’s follow up to Braid may look like an entirely different adventure, being 3D and all, but the two are more thematically alike than you might think. The Witness, at its core, is another puzzle game that tells an interesting story through said puzzles.
This puzzler takes place in an almost equally impressionist – albeit heavily Myst-inspired – world, but it’s story is far more nuanced and mysterious than Blow’s previous. At almost every corner of this island that you’ve simply woken up on (or beneath), there is a clue as to how you got onto this island and why you’re here.
A 2D action RPG based on the best 8- and 16-bit classics, Hyper Light Drifter was a big Kickstarter success. Now, we know that’s because of its glorious pixel graphics and combat that’s halfway between SuperGiant’s seminal Bastion and an edgy Legend of Zelda revamp.
Despite appearances, it’s a combat-focused game wherein you explore the unknown, ruined world of Buried Time, inspired by nightmares and dreams, where your Drifter is searching for the cure for a fatal disease that he or she is clearly suffering.
It’s weird to think that Oxenfree came out before the first season of Stranger Things, and yet, the two properties coincidentally have a lot in common. The 80s-inspired heavy synth music composed by scntfc, for one, accentuates some truly gripping sci-fi horror centering around – you guessed it – a group of teenagers stuck on an island.
The story involves a handful of uniquely written characters, namely the main character Alex, along with her stoner friend Ren, her newfound stepbrother Jonas, her dead brother Michael’s ex-girlfriend Clarissa and her best friend Nona (who Ren happens to be in love with).
The plot is explained through branching speech dialogue, similar to Life is Strange or modern-day Telltale games, and features five different endings depending on your choices.
Exploring a surreal wilderness seems like quite the trend these days in gaming, and developer Campo Santo’s debut only serves to keep it going strong. Set in the wilderness of 1989 Wyoming, you’re Henry, a fire lookout that’s all alone in the woods after exploring something strange in the distance.
That is, save for your partner on the other line of a walkie-talkie: Delilah. She’s your only point of contact as you explore the wilderness. Will you make it back alive? Will the decisions you make help or harm the relationship with your only lifeline to the outside world, your boss? Don’t worry about those questions just yet – just look at those forestscapes!
Rust is one of the more successful indie titles of recent times. By the end of 2015 it had sold more than 3 million copies, which isn’t too shabby considering it isn’t even finished — the game has been on Steam’s Early Access scheme since launching in December 2013.
Still, it seems people can’t get enough of the Day Z-inspired survival sim. It sees you use your wits and bearings to survive its harsh open world, starting off with nothing but a rock. After gathering resources needed to build a house and weapons to fend off attackers (other online players, in other words), Rust gradually becomes more intense as you defend your growing base — or attempt to breach others’.